By their rental rates, I estimate their purchase prices are well into the four digits range. They do not list their prices (red flag for “if you have to ask you can’t afford it”). To outright purchase one of their canvases, you’d have to inquire about their sale prices. Since the rental rates really aren’t economically sustainable for solo photographers or small studios to use on a continuous basis, the financially prudent thing would be to either (1) invest in one of their works of art or (2) recreate one of your own. All of these prices do not include shipping and I’m guessing those would be quite hefty. Prices start at $310 for students, $335 for editorial shoots, and $440 for print advertising and catalogues. Oliphant rentals are more expensive but the rental period is for up to 3 days. Single day rates for renting a Schmidli canvas starts from $250 (for a 10′ by 12′) all the way to $900 (for a 30′ by 50′), along with a 20% off student discount. Both business models are based on rentals rather than sales. Both have an impressive stock of already-painted canvases. Two companies have really cornered the high quality canvas backdrop market, Oliphant Studios based in New York and Schmidli Backdrops based throughout the world.
#Painted backdrops for photography how to#
In continuation of our How to Shoot like Annie Leibovitz series, we explore the use of these backdrops in photography. It’s subtle and it sure is a far cry from your vignetted and cliched high-school-yearbook-photo backdrops. There is a thick and tasteful texture to the backdrops. By putting a backdrop on a set or on location, it changes the real estate of the image. Retailers and wholesalers sell these blue photography backdrop at exciting deals.A staple of Annie Leibovitz’s Vanity Fair photos is her use of premium hand-painted canvas backdrops.
They are also used in homes to create interesting illusions. They have become an essential part of our photography and technological designs.
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